Sie befinden Sich nicht im Netzwerk der Universität Paderborn. Der Zugriff auf elektronische Ressourcen ist gegebenenfalls nur via VPN oder Shibboleth (DFN-AAI) möglich. mehr Informationen...
[...]Kaplan performs a "material self" through extensive journal-writing; Edward Bernays, Joshua Loth Liebman, and Erich Fromm negotiate the "material past" through a transformation of psychology; Soloveitchik situates halakhah and American Orthodoxy in the material "place" of urban America, Heschel struggles with the "presence of things" in his concept of the Sabbath; Yezierska, Roth, Cynthia Ozick, and Malamud create "narrative" identities; and magazine covers, Barbie dolls, and other images create a "gaze" toward their own materiality. Concrete definitions of the categories of "material" and "thought" would clarify both the work's stakes and its claims, even while Koltun-Fromm's analyses suggest that any true separation of the two diminishes our ability to conceptualize either. [...]even the difficulties and dissonances in Koltun-Fromm's readings are ultimately productive: How do Neil Diamond as the Jazz Singer in the 1980 remake and a tefillin-wearing Barbie doll recreate the world of Jewish thought in their own image?