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Teatre Ósmego Dnia's The Files and Pawei Demirski's Don't Be Surprised When They Come to Burn Your House Down both confront political realities during the communist and post-communist era in Poland; REwind: A Cantata for Voice, Tape and Testimony is Philip Miller's opera about the South African Truth and Reconciliation Commission hearings; Adelheid Roosen's Is.Man narrates Islamic honor killings in Holland; and Elias Khoury and Rabih Mroué's Three Posters is a rumination on the notion of authenticity in the taped martyr testimonies of pro-communist suicide bombers in the war-torn Lebanon of the 1980s. In sum, we might take Dramaturgy of the Real on the World Stage as an important marker for the field of theatre studies, concerned as it currently is with notions of political efficacy, representational innovation, and an ethical engagement with theatre in its entire global context.