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Internationalität und nationale Romantik im 19. und 20. Jahrhundert: Zur Schubert-Rezeption in zwei Jahrhunderten
Ist Teil von
Archiv für Musikwissenschaft, 2010, Vol.67 (4), p.261-283
Ort / Verlag
Stuttgart: Franz Steiner Verlag
Erscheinungsjahr
2010
Link zum Volltext
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
The impact made by a composer's oeuvre during his or her lifetime and its importance later in history can be extremely divergent. The works can—as in the case of Wolfgang Rihm—experience the most extensive dissemination and gain critical recognition while a composer is alive or, apart from the possibility of complete and long-term ineffectiveness, gradually unfold their claim to truth and validity in successive decades and centuries. The complete works of Franz Schubert can be counted among the third possibility, also with respect to the historical development and reception of his oeuvre's various compositional genres. The first to be accepted and established were his art songs, then the piano and chamber music, later on the symphonies and finally, much later, the musical comedies (Singspiele) and heroic-romantic operas, which not only have been influential in performance history up to the present day, but have been drawn upon and developed by other composers, ranging from Franz Liszt through René Leibowitz to Mauricio Kagel and Wolfgang Rihm.