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Forum modernes Theater, 2010-01, Vol.25 (1), p.65-113
Ort / Verlag
Tübingen: Narr Francke Attempto Verlag GmbH + Co. KG
Erscheinungsjahr
2010
Link zum Volltext
Quelle
Narr Francke Attempto Verlag Zeitschriften und Jahrbücher
Beschreibungen/Notizen
In his moving image Deleuze explains the handling of poses in dance as anachronistic, which, in the sense of classical ballet, he regards as the mere updating of transcendental forms. The present text follows Deleuze's argument that dance abandons the 20th-century pose to "arbitrary moments" derived from the analysis and to a modern-day understanding of movement, and cites choreographic examples from the 1970s to the 1990s. In contemporary dance, however, the thesis reveals a renewed, altered interest in the pose that can not be dismissed as anachronistic: as a movement quotation, it forms the starting point for questions of the appropriation of historical movement material (Hardt), for the exploration of its recognisability References to "gaps in the order" (Brandstetter) or for their own dissolution in the choreographic process of morphing. The latter, through irritation in the choreography PIECE, as an obfuscation, can create moments of excitement while reflecting on Deleuze's question of the steady evolution of the movement.