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'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence
Ist Teil von
Theatre history studies, 2007, Vol.27 (1), p.86-109
Ort / Verlag
Grand Forks, N. D: The University of Alabama Press
Erscheinungsjahr
2007
Link zum Volltext
Quelle
ProQuest_Literature Online_英美文学在线
Beschreibungen/Notizen
FRANTZ FANON, Black Skin, White Masks Although Eulalie Spence was writing at the same time as other prominent black playwrights and authors, such as Langston Hughes, Zora Neale Hurston, and James Weldon Johnson, her plays have often been overlooked by contemporary scholars, who tend to dismiss her work because of its inclusion of black dialect (with its echoes of minstrelsy) and because of her failure during her lifetime to sustain a career in theatre.