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"The abused word, modern" and Ellen Glasgow's "literature of revolt"
Ist Teil von
The Mississippi quarterly, 1996-04, Vol.49 (2), p.345
Ort / Verlag
Mississippi State: Johns Hopkins University Press
Erscheinungsjahr
1996
Link zum Volltext
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
According to Marianne DeKoven in her recent work concerning gender, history, and modernism, New Critical modernism not only omitted from its canon works ... by white women, and works by the black writers of the Harlem Renaissance, but also valorized, at the expense of the progressive implications of its forms, modernism's reactionary features: . . . totalizing myth, externally imposed order, ahistoricity, deadlocked irony, [and] the idea of 'well-wrought,' perfectly balanced form as an end in itself [and as] the only interesting end of art. According to DeKoven, however, "promodernism as well as antimodernism necessarily reduces the complex political-cultural-historical provenance of modernist formal innovation."