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By shedding one's illusions, one reaches a truth: the critical mastery over life. [...]if, for Bourdieu, the position of the social agent in the world is prescribed, considered as that which allows the individual to draw the proper conclusions, the practice, or "experience of the game" does not prevent him from discovering an entire space in which to invest his freedom. [...]the true nature of several aspects of literary work--its links to money and the "bookstore business," the collective dimension of its production, the competitive and strategic nature of writing careers, etc.--was negated in several ways. [...]it has never been capable of identifying the logic behind these eruptions and the ways in which they are measures of a system. [...]it is of particular interest to reconsider the history of the avant-gardes in this perspective and see in what ways the forms of subversion or profanation they display grow from the concerted strategies of newcomers in order to ensure their emergence and recognition. For the novelist, it is a way of figuring his own position within the literary field. [...]through the character of Frédéric and the description of his positioning in the social space, Flaubert delivers the generative formula which is the basis of his own novelistic creation: the double refusal of opposed positions in different social spaces and of the corresponding taking of positions which is at the foundation of an objectifying distance with respect to the social world.