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Payne and Struck discuss the representation of statelessness in B. Traven's novel, The Death Ship, a category that first emerged on the German literary scene in the mid-to- late 1920s. Traven's novel links techniques of storytelling to the consolidation of the bureaucratically regulated passport regime which was implemented after the First World War to police the newly drawn borders of Europe. They sheds new light on the novel's depiction of statelessness through its focus on the emergence of fictional storyworlds from an "elsewhere" created by the passport regime.