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The book is divided into four sections: "Before the Revolution," which reviews the cultural context that set the stage for the shifts of the 60s; "The New Cinemas," which outlines the various features that distinguish the many national new waves; "Movements," which features brief profiles of five important nations and regions (Britain, France, Italy, Poland and eastern Europe, and Latin America); and "Three Auteurs," a chapter focusing on a trio of key figures of the era (Godard, Antonioni, Pasolini). [...] in comparing the acting styles in the two strains of the French New Wave - the Cahiers du Cinéma group of Jean-Luc Godard and François Truffaut, and the Left Bank group of Alain Resnais and Jacques Demy - Nowell-Smith writes: [Resnais] tended to use theatrically trained actors, rehearse them thoroughly, and encourage the use of theatrical gesture and delivery, though never to the point when it looked false on screen.