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FIGURE AND GROUND IN GOETHE'S "WILHELM MEISTERS LEHRJAHRE"
Ist Teil von
ELH, 2017-07, Vol.84 (2), p.399-422
Ort / Verlag
Baltimore: Johns Hopkins University Press
Erscheinungsjahr
2017
Link zum Volltext
Quelle
Project MUSE
Beschreibungen/Notizen
According to Schlegel, you cannot judge this unique novel by the criteria of the pre-existing genres: [F]eeling rebels against a pedantic aesthetic appraisal of the divine abundance.According to such theories, which are more concerned than the rhetorical theory had been to differentiate art from non-art, the entire text is a figure and its ground is reality.[...]because a painting ends abruptly at its edges the holistic concept of composition may be easiest to grasp through the example of painting.If anything, the concept of composition was brought to bear on literary texts even later.Because bodies are in no literal sense present in a literary text, literary modernism had an easier time asserting the homogeneity of the text.