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Reviewed by GORAN V. STANIVUKOVIC This volume of essays represents a significant contribution to the growing field of the appropriations and adaptations of Shakespeare in the Communist world from the time of the Bolshevik revolution until the fall of the Berlin Wall and the collapse of the Soviet Union. (Instead, we have several essays on East Germany, which, more or less, tell a similar story.) Communism's different status in the former Yugoslavia (in which the country's official ideology was only referred to as "socialism") created a specific version of Shakespeare onstage, in which Shakespeare afforded an opportunity for larger commentaries on political and social spheres.