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A song on Bob Dylan's second album, The Freewheelin' Bob Dylan (1963), calls attention to his interest in origins and antecedents, newness and repetition. The album itself was a second beginning for Dylan, marking his swerve away from his first incarnation as a folk and blues singer -- only two songs on his first album, Bob Dylan (1962), were his own compositions; on Freewheelin' they all are. Here, Savage discusses the American Adam in Dylan's song.