Details

Autor(en) / Beteiligte

• Nabergoj, Irena Avsenik

Titel

Ivan Cankar in vélika vojna/Ivan Cankar and the Great War

Ist Teil von

• Zgodovinski časopis, 2015-07, Vol.69 (3/4), p.352

Ort / Verlag

Ljubljana: Federation of Slovene Historic Association

Erscheinungsjahr

2015

Quelle

Free E-Journal (出版社公開部分のみ）

Beschreibungen/Notizen

• Prispevek predstavlja kriticni odnos pisatelja IvanaCankaija(1876-1918) do politikeAvstroOgrske in njegova javna prizadevanja za enakopravno skupnostjugoslovanskihnarodov v letih pred izbruhom vélike vojne, ko so napredne intelektualce, tudi Cankarja, preganjali zaradi njihovih stalisc. Opisuje pisateljevo sluzenje vojske v Judenburgu leta 1915, predvsem pa njegovo umetnisko besedo v letih vojne. V zbirki crtic Podobe iz sanj (1917), napisani v okoliscinah stroge drzavne cenzure, Cankar zavraca vojno in nasilje ter izrazi vizijo svetlejse prihodnosti slovenskeganaroda. Odmev grozot vojne v dozivljanju vojakov in civilistov je velika tema v delih stevilnih evropskih, pa tudi ameriskih pisateljev, pesnikov in zgodovinaijev, med katerimi so bili nekateri tudi sami vojaki. Clanek ugotavlja podobnosti in razlike v njihovi rabi ironije, spiritualizaciji vojne, pogovorih z mrtvimi in apokalipticni motiviki ter isce odgovor na vprasanje, ali obstajajo razlike in podobnosti v pisanju in v recepciji literature pesnikov, ki so o vojni pisali kot civilisti ah kot vojaki na fronti. / The contribution presents Ivan Cankar's (1876-1918) critical stance on Austria-Hungary's policy and his public efforts for a community of equal Yugoslav peoples prior to the outbreak of the Great War, when progressive intellectuals, including Cankar, were persecuted because of their views. It depicts author's military service in Judenburg in 1915 and, in particular, his artistic word during wartime. In his collection of short stories Podobe iz sanj (Dream Visions, 1917), which was penned under strict state censorship, he renounces war and violence, and expresses his vision of a brighter future for the Slovene people. Echoes of war atrocities experienced by soldiers and civilians is also an important subject matter in works by many European, and also American authors, poets and historians, some of whom were soldiers themselves. The paper establishes similarities and differences in their use of irony, spiritualisation of war, conversations with the dead, apocalyptic motifs, and seeks to answer the question whether there are differences and similarities in the writing and reception of literature authored by poets who wrote about war as civilians or soldiers on the front.