Sie befinden Sich nicht im Netzwerk der Universität Paderborn. Der Zugriff auf elektronische Ressourcen ist gegebenenfalls nur via VPN oder Shibboleth (DFN-AAI) möglich. mehr Informationen...
Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003-2013
Ist Teil von
Popular communication, 2015-10, Vol.13 (4), p.272-287
Ort / Verlag
Philadelphia: Routledge
Erscheinungsjahr
2015
Link zum Volltext
Quelle
Taylor & Francis
Beschreibungen/Notizen
Based on a quantitative and qualitative analysis of 385 rock album reviews, this article investigates (i) to what extent ethno-racial boundaries are (re)produced and/or contested in the critical and consumer reception of rock music in the United States between 2003 and 2013 and (ii) to what extent (semi-)professional reviewers and consumer-reviewers differ from each other regarding ethno-racial classifications in their reception of rock music. Albums by nonwhite artists tend to receive lower evaluations than those by white artists, particularly when reviewed by consumer critics. Although both types of reviewers often ignore talking about race-echoing a color-blind ideology-(semi-)professional critics are more explicit and color-conscious regarding nonwhite participation in rock music. Furthermore, five different mechanisms are employed by reviewers as a part of ethno-racial boundary work: (i) ethno-racial comparisons, (ii) inter-genre comparisons, (iii) positive ethno-racial marking, (iv) negative ethno-racial marking, and (v) minimization.