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The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s
Ist Teil von
Music Library Association. Notes, 2014, Vol.71 (1), p.91-93
Ort / Verlag
Philadelphia: Music Library Association
Erscheinungsjahr
2014
Link zum Volltext
Quelle
Project MUSE
Beschreibungen/Notizen
[...]the chap- ter on Dolly Parton refers to no fewer than eighteen television shows, ranging from The Porter Wagoner Show to American Idol. [...]it is somewhat surprising that, in his chapter on Barry Manilow, Morris does not mention the television show Angel (1999-2004), whose title character repeat- edly and directly confronts issues of "un- manliness" because of his affection for Manilow's music, most memorably when he struggles through a karaoke performance of "Mandy." A couple of other sources that might have found a welcome home in Morris's bibliography include David Metzer, Quotation and Cultural Meaning in Twentieth- Century Music (Cambridge: Cambridge University Press, 2003), which analyzes the same film with which Morris begins and ends chapter 3, and Eric Weisbard, ed., Pop: When the World Falls Apart: Music in the Shadow of Doubt (Durham, NC: