The New Extremism in Cinema, 2011, p.18
2011
Volltextzugriff (PDF)
Details
- Autor(en) / Beteiligte
- Titel
- Flesh and Blood: Sex and Violence in Recent French Cinema
- Ist Teil von
- The New Extremism in Cinema, 2011, p.18
- Ort / Verlag
- United Kingdom: Edinburgh University Press
- Erscheinungsjahr
- 2011
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- The convulsive violence of Bruno Dumont’s new film Twentynine Palms (2003) – a truck ramming and a savage male rape, a descent into madness followed by a frenzied knifing and suicide, all crammed into the movie’s last half-hour after a long, somnolent buildup – has dismayed many, particularly those who greeted Dumont’s first two features, Life of Jesus (1997) and L’Humanité (1999), as the work of a true heir to Bresson. Whether Palms’ paroxysm of violation and death signals that Dumont is borrowing the codes of Hollywood horror films to further his exploration of body and landscape or whether it
- Sprache
- Englisch
- Identifikatoren
- ISBN: 0748641602, 9780748641604DOI: 10.3366/edinburgh/9780748641604.003.0002Titel-ID: cdi_proquest_ebookcentralchapters_744021_6_25
- Format
- –
- Schlagworte
- Anatomy, Behavioral sciences, Biological sciences, Biology, Bourgeois, Bruno Dumont, Butchering, cannibalism, Catherine Breillat, Cognitive psychology, Criminal defenses, Criminal law, Criminal litigation, Criminal offenses, Culinary arts, Emotion, Emotional states, Extremities, Fear, Film: styles & genres, Food preparation, Food processing, Food studies, François Ozon, Gaspar Noé, Human behavior, Human societies, Law, Love, Meat processing, Middle class, New French Extremity, Philippe Grandrieux, porn, Provocation defense, Psychology, Rape, Sexual assault, Sexual misconduct, Sexual offenses, Sexual violence, Social classes, Social sciences, Social stratification, Social structures, Sociology, Twentynine Palms, Violence