The New Extremism in Cinema, 2011, p.169
2011
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Details
- Autor(en) / Beteiligte
- Titel
- A ‘Passion for the Real’: Sex, Affect and Performance in the Films of Andrea Arnold
- Ist Teil von
- The New Extremism in Cinema, 2011, p.169
- Ort / Verlag
- United Kingdom: Edinburgh University Press
- Erscheinungsjahr
- 2011
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- What does the idea of the ‘new extremism’ mean in the context of contemporary British filmmaking? According to the title of a recent article in The Guardian newspaper, we are currently witnessing ‘The rebirth of the British art film’. Citing a range of films from Zidane: A 21st Century Portrait (Douglas Gordon and Philippe Parreno, 2006) and Hunger (Steve McQueen, 2008) to Katalin Varga (Peter Strickland, 2009), Andrew Pulver writes that these ‘visionary’ art-house films go beyond the kitchen sink social realism that British cinema is famed for, to offer a ‘new filmmaking style’. This new crop of films, while
- Sprache
- Englisch
- Identifikatoren
- ISBN: 0748641602, 9780748641604Titel-ID: cdi_proquest_ebookcentralchapters_744021_22_176
- Format
- –
- Schlagworte
- Anatomy, Anthropology, Applied anthropology, Art cinema, Art genres and movements, Art history, Artistic realism, Arts, Behavioral sciences, Biological sciences, Biology, Communications, Criminal law, Criminal offenses, Cultural anthropology, Cultural studies, Extremities, Federal criminal offenses, Film studies, Film: styles & genres, Hands, Human behavior, Human sexual behavior, Illocutionary acts, Language, Language acts, Law, Linguistics, Metaphysics, Movies, Narratives, Oral sex, Performative utterances, Philosophical realism, Philosophy, Philosophy of mind, Sexual violence, Social sciences, Speech acts, Terrorism, Upper extremity, Violence, Violence against women, Violent extremism