The New Extremism in Cinema, 2011, p.117
2011
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Details
- Autor(en) / Beteiligte
- Titel
- Censorship, Reception and the Films of Gaspar Noé: The Emergence of the New Extremism in Britain
- Ist Teil von
- The New Extremism in Cinema, 2011, p.117
- Ort / Verlag
- United Kingdom: Edinburgh University Press
- Erscheinungsjahr
- 2011
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- The late 1990s saw the British Board of Film Classification (BBFC) enter a period of transition that would transform the policies and ideology of British film censorship. The changes seen at the BBFC were numerous and wide-ranging, and contributed to the Board adopting an increasingly liberalised approach to film censorship, with a greater emphasis on accountability and classification. The era coincided with the emergence of a number of films now being discussed as part of the new extremism within contemporary European cinema; featuring scenes of graphic violence and explicit unsimulated sexual activity, films such as The Idiots (von Trier, Denmark,
- Sprache
- Englisch
- Identifikatoren
- ISBN: 0748641602, 9780748641604Titel-ID: cdi_proquest_ebookcentralchapters_744021_17_124
- Format
- –
- Schlagworte
- Accountancy, Accounting records, Accounting reports, Annual reports, Anthropology, Applied anthropology, Behavioral sciences, Bookkeeping, Business, Business administration, Censorship, Communications, Communications media, Corporate communications, Criminal law, Criminal offenses, Cultural anthropology, Cultural customs, Cultural studies, External corporate communications, Festivals, Film festivals, Film studies, Film: styles & genres, Graphics, Human behavior, Human sexual behavior, Law, Mass communication, Mass media, Media relations, Movies, News media, Press releases, Public relations, Rape, Sexual assault, Sexual misconduct, Sexual offenses, Sexual violence, Social sciences, Violence, Visual materials