Sie befinden Sich nicht im Netzwerk der Universität Paderborn. Der Zugriff auf elektronische Ressourcen ist gegebenenfalls nur via VPN oder Shibboleth (DFN-AAI) möglich. mehr Informationen...
The author knows of the renowned teacher of film studies, Satish Bahadur through many of his former students, but she introduces herself by saying that she study folktales and fairy tales. In this chapter, the author explores popular Hindi cinema in India with reference to the fairy tale as a fantastic story with deeper meanings. Popular Hindi films can be usefully compared with the fairy-tale genre, not least because the latter is primarily an aesthetic identification of an artistic form and the elements that make it. The structure of popular Bollywood films has remained rather constant over several decades, although the themes of their stories have changed in the light of alterations in social and political conditions. Bollywood's strong appeal to local audiences has limited Hollywood's space for targeting the Indian market. Their diverging relationships with reality create huge differences in the interpretational value of fairy tales and popular Hindi films.