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Clio Barnard’s work deals with the relationship between documentary and fiction, and in particular the subjectivity of recollection. In 2006 Film and Video Umbrella commissioned Barnard to makeDark Glassas part of theSingle Shottouring programme. A psychological micro-drama that moves from the sanctuary of a domestic garden to the half-remembered shadows of a house, the piece peers back into a semi-veiled interior world of fraught, ambivalent memories.
The tactic of constructing fictional images around verbatim audio (and vice versa) was brilliantly utilised inThe Arbor(2010), Barnard’s remarkable debut feature. Playwright Andrea Dunbar wrote unflinchingly about her