Homemade Men in Postwar Austrian Cinema, 2013, Vol.15, p.59
1, 2013
Details
- Autor(en) / Beteiligte
- Titel
- The Historical Costume Film
- Ist Teil von
- Homemade Men in Postwar Austrian Cinema, 2013, Vol.15, p.59
- Auflage
- 1
- Ort / Verlag
- United States: Berghahn Books
- Erscheinungsjahr
- 2013
- Link zum Volltext
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- Sissi(1955), the tragic story of the Bavarian princess Elisabeth/‘Sissi’, who falls in love with the young Austrian emperor Franz Joseph I and marries him, still tops the league of the most successful productions in postwar Austria.¹ It is a classic that, through frequent television screenings, has acquired a cult following across continental Europe. WhileSissiis one of the few Austrian films known outside German-speaking countries today, it was only one of many historical costume films that were hugely profitable at the time. Why was the genre so successful? Was it because it offered an escape to a fairy-tale
- Sprache
- Englisch
- Identifikatoren
- ISBN: 0857459457, 9780857459459Titel-ID: cdi_proquest_ebookcentralchapters_1337738_8_70
- Format
- –
- Schlagworte
- Anthropology, Applied anthropology, Armed conflict, Art criticism, Art theory, Arts, Authoritarianism, Behavioral sciences, Business, Cognitive psychology, Commercial music, Communications, Cultural anthropology, Cultural industries, Cultural studies, Entertainment industries, European history, Fascism, Film criticism, Film music, Film studies, Film theory & criticism, Gender identity, Gender studies, Human populations, Industrial sectors, Industry, Masculinity, Men, Military science, Motion picture industry, Movies, Music, Music genres, Musical talent, Narratives, Nazism, Performing arts, Persons, Political ideologies, Political philosophy, Political science, Population studies, Psychology, Social sciences, Talent, War