Stravinsky and His World, 2013, Vol.33, p.127-140
2013
Details
- Autor(en) / Beteiligte
- Titel
- Arthur Lourié’s Eurasianist and Neo-Thomist Responses to the Crisis of Art
- Ist Teil von
- Stravinsky and His World, 2013, Vol.33, p.127-140
- Ort / Verlag
- United States: Princeton University Press
- Erscheinungsjahr
- 2013
- Link zum Volltext
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- Arthur Lourié published his article “Krizis iskusstva” (The crisis of art) in two installments in the fourth and eighth issues of the weekly Eurasianist newspaper Yevraziya (Eurasia) in 1928–29. The first installment appeared with Lourié’s essay on Rachmaninoff, the second with his report on Otto Klemperer in Paris.¹ Lourié was not only an occasional contributor to the newspaper. From the tenth issue (26 January 1929) his name appeared on the masthead along with such prominent Eurasianists as Lev Karsavin, Dmitry Sviatopolk-Mirsky, and Pyotr Suvchinsky. “The Crisis of Art” is one in a series of essays Lourié published about Stravinsky
- Sprache
- Englisch
- Identifikatoren
- ISBN: 9780691159881, 0691159882, 9780691159874, 0691159874DOI: 10.1515/9781400848546-009Titel-ID: cdi_proquest_ebookcentralchapters_1205616_14_144
- Format
- –
- Schlagworte
- 20th century & contemporary classical music, Aesthetics, Applied aesthetics, Art genres and movements, Art history, Art periods, Arts, Axiology, Behavioral sciences, Biography: arts & entertainment, Bourgeois, Cognitive processes, Cognitive psychology, Composers & musicians, Human societies, Inspiration, Lower class, Middle class, Modern art, Music, Music genres, Music theory, Musical aesthetics, Musical modes, Musical pitch, Performing arts, Philosophy, Proletariat, Psychology, Religious art, Sacred music, Social classes, Social stratification, Social structures, Sociology, Thought processes, Visual arts