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This chapter examines Ama Ata Aidoo's The Dilemma of a Ghost and African American dramatist Adrienne Kennedy's Funnyhouse of a Negro. The two dramatize the sociopolitical movements in the 1960s by the staging of black women's bodies. Aidoo's play centers on an African American woman experiencing cultural and sexual dislocation in postcolonial Ghana with her African husband, while Kennedy's play works around the psychological disintegration of a young black student in New York City. Working at the crossroads of major countercultural investments, these plays grapple with the lingering presence of colonial histories by creating scenes that question the mimetically realist boundaries of the body.