Details
- Autor(en) / Beteiligte
- Titel
- Dyes in History and Archaeology 41
- Ort / Verlag
- Basel: MDPI - Multidisciplinary Digital Publishing Institute
- Erscheinungsjahr
- 2023
- Link zum Volltext
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- This reprint features contributions from the conference DHA41. Dyes in History and Archaeology (DHA) is an annual international conference that focuses on the academic discussion of dyes and organic pigments which have been used in the past. Every year since 1982, this meeting has drawn together conservators; curators; (technical) art historians; craftspeople; artists; independent scholars; and scientists and academics from museums, universities, research centers, and other public or private institutions. Their common interest is to delve deeply into the history, production, application, and properties of organic colorants, as well as their analytical characterization and identification, often in textile objects, but also in other substrates as well as painted surfaces. In the autumn of 2022, the 41st DHA conference was hosted by the Swedish National Heritage Board in Visby. The abstracts are published on the DiVA portal (Digitala Vetenskapliga Arkivet), and many of the presented posters are available for download from the conference program. We are very grateful to the authors of the following 16 articles for submitting their manuscripts and allowing us to put together a publication that presents the fascinating breadth of research into Dyes in History and Archaeology.
- Sprache
- Englisch
- Identifikatoren
- ISBN: 3036589066, 3036589074, 9783036589077, 9783036589060DOI: 10.3390/books978-3-0365-8907-7Titel-ID: cdi_oapen_doabooks_128707
- Format
- –
- Schlagworte
- 18th century, 18th century memoirs on dyeing, 19th-century manufacture, 6-bromoindigo, Age of Utility, Anatolia, Antoine Janot, Archaeology, Biography and non-fiction prose, Biography, Literature and Literary studies, brazilwood, Carl Linnaeus, City Mound, color superstitions, colorant, consumer goods, consumer society, couched woad, Cupressus sempervirens L, Di-Mono Index (DMI), dibromoindigo, dye, dye analysis, dyeing, dyeing procedure, dyer’s madder, dyes, dyestuffs, early synthetic dyes, Engelbert Jörlin, ESI-mass spectrometry, Etienne Ferrières’s Register, fading, Flemish tapestries, FTIR spectroscopy, goethite, Gordion, Greek manuscripts, Helichrysum stoechas (L.) Moench, heritage preservation, heritage science, Hexaplex trunculus, high-performance liquid chromatography, History and Archaeology, HPLC, HPLC-DAD-MS/MS, HPLC-PDA, hyperspectral imaging, identification, import, indigo, indigo-reducing bacteria, indigoid colorants, indigoids, indirubinoids, industrial heritage, Iron Age, Isatis tinctoria, khipu, King Midas, Korean art, liquid chromatography, luteolin, madder, mass spectrometry, mass spectrometry imaging, Medieval period, molluscan purple pigments and dyes, mordant, multi-analytical characterisation, multiband imaging, Muricidae, n/a, natural dyes, natural dyes tradition, non-invasive analysis, non-invasive dye analysis, Norway, old traditional recipes, organic colorants, organic colourants, Paul Gout, Phrygia, pigments, positive feedback loop, reconstitution of dyeing processes, reflectance spectroscopy, Romania, Rytiphloea tinctoria (Clemente) C.Agardh, safflower, shirts, Swedish dye plants, syngenite, synthetic dyes, ternary diagram, textile, textiles, thema EDItEUR, thermochromic, traded dyeing materials, Tyrian purple, unknown orange compounds, Wari, weaving, Winsor & Newton, woad, woad and indigo vat, woad balls, wool, wool textiles, X-ray fluorescence, yellow dyes, yellow lake