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Although Zhang Hongtu is best known for an art of political critique, his densely layered work is as engaged with the history of art as with issues of free speech.¹ Among these dialogues with art, his involvement with Picasso’s work most fully displays both his deep understanding of past achievements and his probing departure from historical models to create his own, original art.
Zhang’s attention to Picasso places him among a diverse group of global artists who increasingly view Picasso as a paradigm of contemporary culture. This revival of interest in Picasso’s art has occurred largely beyond the scope of
Sprache
Englisch
Identifikatoren
ISBN: 9780822360254, 082236025X
DOI: 10.2307/j.ctv11sn6zc.7
Titel-ID: cdi_jstor_books_j_ctv11sn6zc_7
Format
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