Cinematicity in Media History, 2013, p.119
2013
Details
- Autor(en) / Beteiligte
- Titel
- Cinematicity of Speech and Visibility of Literature: The Poetics of Soviet Film Scripts of the Early Sound Film Era
- Ist Teil von
- Cinematicity in Media History, 2013, p.119
- Ort / Verlag
- Edinburgh University Press
- Erscheinungsjahr
- 2013
- Link zum Volltext
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- This chapter focuses on the relationship between literature and film in the Soviet film culture of the 1930s.¹ What directors like Sergei Eisenstein, Vsevolod Pudovkin and Grigori Aleksandrov² feared most in this new era of sound film was that the spoken word, once admitted, would change cinema forever. Film would never again be a ‘pure’ medium. Soviet cinematic dramaturgy and its attendant discourses brought these debates into sharp focus. Well-known scriptwriters such as Mikhail Bleiman proclaimed the film script as an artwork in its own right, and claimed for it the status of a new genre, fourth in line with
- Sprache
- Englisch
- Identifikatoren
- ISBN: 0748676112, 9780748676125, 0748676120, 9780748676118Titel-ID: cdi_jstor_books_j_ctt9qdrrf_13
- Format
- –
- Schlagworte
- Anthropology, Applied anthropology, Arts, Behavioral sciences, Communications, Cultural anthropology, Cultural studies, Ethnography, Ethnology, Film studies, Literary genres, Literary studies, Literature, Movies, Narrative poetry, Narratives, Performing arts, Poetics, Poetry, Russian literature, Russian studies, Scripts, Scriptwriting, Social sciences, Stagecraft, Theater, Writing, Written communication, Written narratives