Durkheim, the Durkheimians, and the Arts, 2013, p.154
1, 2013
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Details
- Autor(en) / Beteiligte
- Titel
- Too Marvelous for Words: Maurice Halbwachs, Kansas City Jazz, and the Language of Music
- Ist Teil von
- Durkheim, the Durkheimians, and the Arts, 2013, p.154
- Auflage
- 1
- Ort / Verlag
- Berghahn Books
- Erscheinungsjahr
- 2013
- Quelle
- Alma/SFX Local Collection
- Beschreibungen/Notizen
- In the acclaimed documentaryJazzby Ken Burns, trumpeter Wynton Marsalis eloquently speaks of the unique connection shared by Billie Holiday and Lester Young, a connection which, he emphasizes, is rarely found: When you play music, it’s hard to really, even it’s hard to explain verbally, but, when you play music, you enter another world, it’s very abstract, and your sense of hearing . . . is heightened, and you’re listening to another person and you’re trying to absorb everything about them, their consciousness, what they mean when they’re talking to you, what they’re feeling like, where you think they’re
- Sprache
- Englisch
- Identifikatoren
- ISBN: 0857459171, 9780857459176Titel-ID: cdi_jstor_books_j_ctt9qcrxf_12
- Format
- –
- Schlagworte
- Art theory, Artists, Arts, Economic disciplines, Economics, Employment, Jazz, Labor economics, Language, Linguistics, Music, Music arrangement, Music composition, Music genres, Music psychology, Music theory, Musical improvisation, Musical memory, Musical notation, Musical performance, Musical rhythm, Musical time, Musicians, Occupations, Performing arts, Popular music, Psychology of art