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A centennial celebration provides the occasion to take a fresh look at a writer’s work, to pay tribute and examine the legacy. We can profit from this when the writing still somehow lives, still has meaning for a new generation. In the case of a critic this is unusual because criticism, unlike literature, is cumulative, developing from one generation to another as critics build on their predecessors by exploding or assimilating them. Unless it survives on style alone, criticism, as mediation between writers and readers, quickly grows dated, and critics are more likely to be forgotten than reconsidered. Wilson’s criticism,