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Interrogating the Obscene: Extremism and Michael Haneke
Ist Teil von
The New Extremism in Cinema, 2011, p.180
Ort / Verlag
Edinburgh University Press
Erscheinungsjahr
2011
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
At the Cannes Festival press conference for Das Weisse Band/The White Ribbon in May 2009, Michael Haneke made what is perhaps the most important and yet deceivingly simplistic interpretative comment on his films: ‘All my films are about violence.’ To anyone familiar with Haneke’s œuvre, this is perhaps exceedingly obvious, but this seeming transparency only serves to make the unpacking of the statement more crucial. What does it mean for a film to be about violence and how do Haneke’s films do this? While it is necessary to be critical of accepting wholesale interpretive frameworks advocated by the filmmaker himself