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From Bangladesh and Hong Kong to Iran and South Africa, film
industries around the world are rapidly growing at a time when new
digital technologies are fundamentally changing how films are made
and viewed. Larger film industries like Bollywood and Nollywood aim
to attain Hollywood's audience and profitability, while smaller,
less commercial, and often state-funded enterprises support various
cultural and political projects. The contributors to
Anthropology, Film Industries, Modularity take an
ethnographic and comparative approach to capturing the diversity
and growth of global film industries. They outline how
modularity-the specialized filmmaking tasks that collectively
produce a film-operates as a key feature in every film industry,
independent of local context. Whether they are examining the
process of dubbing Hollywood films into Hindi, virtual reality
filmmaking in South Africa, or on-location shooting in Yemen, the
contributors' anthropological methodology brings into relief the
universal practices and the local contingencies and deeper cultural
realities of film production. Contributors. Steven C. Caton,
Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita
Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh