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Writing ‘Lesbian, Gay-Type Lovers’: Buffy, Postmodern Gothic and Interruptions to the Lesbian Cliché
Ist Teil von
New Directions in 21st-Century Gothic, 2015, p.142-155
Ort / Verlag
Routledge
Erscheinungsjahr
2015
Link zum Volltext
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
During the fin de siècle of the 19th and 20th centuries, late Victorian Gothic
works such as Shelley’s Frankenstein and Stoker’s Dracula explored “contemporary anxieties about sexuality, religion and morals, science and psychology, imperialism, and the Other” (Siemann 2002, 127). As modernity
and the 20th century came to an end, humanity became increasingly characterised by a contradictory, complex, and polarised era labelled “postmodernity” (Jameson 1991). The advent of the postmodern era has witnessed
a resurgence within cultural outputs of Gothic tropes such as the vampire
and the werewolf, and Gothic themes such as sexuality, liminality and the
intersections of rural wilderness and urban chaos (for example, the television series True Blood, The Vampire Diaries, and Lost Girl; the Twilight
saga books and movies; and the Dark Knight Trilogy of films).