Sie befinden Sich nicht im Netzwerk der Universität Paderborn. Der Zugriff auf elektronische Ressourcen ist gegebenenfalls nur via VPN oder Shibboleth (DFN-AAI) möglich. mehr Informationen...
In this article I discuss the principles and practice of doubling in the 2008 Royal Shakespeare Company history cycle directed by Michael Boyd. I first discuss the lack of systematic, scholarly attention to theatrical doubling in general and develop a new taxonomy of doubling, incorporating two main categories: "practical doubling" and "significant doubling". Practical doubling stems from economic necessity; significant doubling, consisting of six subcategories, is employed by directors and actors as a vehicle of meaning. I illustrate this taxonomy through a critical study of the Boyd-directed history plays, showing how the use of doubling in that cycle allowed for a multi-layered approach, which enhanced both coherence and ambiguity.