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The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
Ist Teil von
The European journal of life writing, 2022-04, Vol.11, p.21-40
Ort / Verlag
University of Groningen Press
Erscheinungsjahr
2022
Link zum Volltext
Quelle
EZB Electronic Journals Library
Beschreibungen/Notizen
Mid-sixties British rock musicians have rationalized their firsthand experience and profitable interactions with American racial segregation by adopting a stance of racial innocence, or a belief that youth and virtue make one immune to charges of complicity with organized structures of racism. This almost childlike subject-positioning disingenuously separates musicians’ expertise on African American blues from a more mature acknowledgement of the oppressive racial conditions that shaped the music, implicitly excluding them from culpability in the continued imbalance of power between black and white musicians.