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Two Contemporary Representations of the Great War between Emotionand Irreverence: William Boyd’s and Pat Barker’s Regeneration
Ist Teil von
Études britanniques contemporaines, 2011-12, Vol.41 (41), p.105-118
Ort / Verlag
Presses universitaires de la Méditerranée
Erscheinungsjahr
2011
Link zum Volltext
Quelle
EZB Electronic Journals Library
Beschreibungen/Notizen
This article focuses on two contemporary novels that aim at reworking the traumatic past of the First World War: William Boyd’s The New Confessions (1987) and Pat Barker’s Regeneration (1991). We will examine how those two novels, although in very different ways, do manage to treat the experience and the impact of combat through a constant tension between emotion and irreverence, seriousness and irony, thus seeking to convey the atrocities of war while rejecting the very possibility of pathos. Those two historiographic metafictions, because they testify to a certain postmodern distrust of history as something wholly coherent, seem to ‘abuse’ the past of the Great War the better to ‘use’ it and to explore the legacy of its wounds.