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Religions (Basel, Switzerland ), 2022-07, Vol.13 (7), p.657
2022
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Autor(en) / Beteiligte
Titel
Making, Using, Disposing, Remaking…: Sacred Arts of Re-Creation in Southern Asia
Ist Teil von
  • Religions (Basel, Switzerland ), 2022-07, Vol.13 (7), p.657
Ort / Verlag
Basel: MDPI AG
Erscheinungsjahr
2022
Quelle
EZB Electronic Journals Library
Beschreibungen/Notizen
  • For centuries, in the eastern Indian subcontinent, areas now in Bangladesh and the Indian states of West Bengal, Odisha, and Bihar, temporary polychrome terracruda (air-dried clay) figural images have been created for periodic pujas (rituals of worship) and immersed in nearby rivers or ponds at the event’s close. This essay explores how the perennial re-creation of terracruda ritual images supported the rise of goddess worship, stimulated the expansion of the annual cycle of religious festivals, and contributed to a modernizing cosmopolitan public culture. Drawing on recent reconsiderations of materiality that recognize the active roles of inanimate objects and substances, terracruda sacred sculpture is approached through the medium to consider the distinctive contributions that clay makes in interactions with artists, patrons, devotees, and the public. This essay focuses on how the transformational character of air-dried clay enables practices of making, worshipping, and disposing that evoke cosmic cycles, harness potencies that inhere in earth, and realign religious practices in changing times.
Sprache
Englisch
Identifikatoren
ISSN: 2077-1444
eISSN: 2077-1444
DOI: 10.3390/rel13070657
Titel-ID: cdi_doaj_primary_oai_doaj_org_article_9ca1a877ded148c8a726ffd07e5be6ce

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