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Self-portrait of the philosopher in the context of the enlightement
Ist Teil von
Filozofija i društvo (Zbornik radova), 2012, Vol.23 (3), p.199-217
Ort / Verlag
Institute for Philosophy and Social Theory, Belgrade
Erscheinungsjahr
2012
Link zum Volltext
Quelle
EZB Electronic Journals Library
Beschreibungen/Notizen
In the history of philosophy, Jean-Jacques Rousseau is mainly considered as
an atypical philosopher of the Enlightenment, as a pioneer of the
revolutionary idea of a free civilian state and natural law; in literary
history, he is considered the forerunner of Romanticism, the writer who
perfected the form of an epistolary novel, as well as a sentimentalist.
However, this paper focuses on the biographical approach, which was mostly
excluded in observation of those works revealing Rousseau as the originator
of the autobiographical novelistic genre. The subject of this paper is the
issue of credibility of self-portraits, and through this problem it
highlights the facts from the author?s life. This paper relies on a
biographical approach, not in the positivistic sense but in the
phenomenological key. This paper is mainly inspired by the works of the
Geneva School theorists - Starobinski, Poulet and Rousset.
Zan-Zak Ruso uglavnom je u istoriji filozofije promatran kao netipican
filozof epohe prosvetiteljstva, kao zacetnik revolucionarnih ideja o
slobodnoj gradjanskoj drzavi i prirodnom pravu; u istoriji knjizevnosti kao
preteca romantizma, pisac koji je usavrsio epistolarnu formu romana i
sentimentalista. Medjutim, u ovom radu fokus je na prenebregavanom biografskom
pristupu onim delima u kojima se Ruso otkriva kao zacetnik autobiografskog
romanesknog zanra. Preispitan je problem verodostojnosti autoportreta i kroz
taj problem osvetljene su cinjenice iz autorovog zivota. Pristup u ovom
tekstu oslonjen je na biografski, ali ne u pozitivistickom vec u
fenomenoloskom kljucu. Osnovna inspiracija za tekst bili su radovi
teoreticara zenevske skole - Starobinskog, Pulea i Rusea.