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In this analysis of his early, experimental plays for the Paul's playhouse, John Marston's transformations of space are presented as the key aspect of a process of negotiation and definition. The article considers playhouse location and construction, the nature of shared space, and the character of the collective enterprise to which Marston commits his actors and spectators. It is argued that the playwright processed the spatial codes of public playhouses with particular deliberation. Marston's is seen as a saturated theatricality which exploits the imaginative significations of space, explores shifting identities and presents a play of social mastery.
Sprache
Englisch
Identifikatoren
ISSN: 0184-7678
eISSN: 2054-4715
DOI: 10.7227/CE.88.1.4
Titel-ID: cdi_crossref_primary_10_7227_CE_88_1_4
Format
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Weiterführende Literatur
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