Sie befinden Sich nicht im Netzwerk der Universität Paderborn. Der Zugriff auf elektronische Ressourcen ist gegebenenfalls nur via VPN oder Shibboleth (DFN-AAI) möglich. mehr Informationen...
Enoch Brater, ed., The Theatrical Gamut: Notes for a Post-Beckettian Stage, reviewed by Patricia Howard
Louis Gordon, The World of Samuel Beckett, 1906-1946, reviewed by Kimball King
Lois Oppenheimer, ed., Directing Beckett, reviewed by Carla Locatelli
Peter Thomson and Glendyr, ed., The Cambridge Companion to Brecht, reviewed by David Krasner
Una Chaudhuri, Staging Place: The Geography of Modern Drama, reviewed by William W. Demastes
John Bull, Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre, reviewed by Maria Dicenzo
Gene A. Plunka, ed., Antonin Artaud and the Modern Theater, reviewed by Erella Brown
Charles Duff, The Lost Summer: The Heyday of the West End Theatre, reviewed by Anthony Jenkins
Carol Homden, The Plays of David Hare, reviewed by Anthony Jenkins
Jonathan Wake, ed., John Arden and Margaretra D'Arcy: A Casebook, reviewed by Paul Haxo
Susan Hollis Merritt, Pinter in Play: Critical Strategies and the Plays of Harold Pinter, reviewed by Robert Baker-White
Martin S. Regal, Harold Pinter: A Question of Timing, reviewed by Katherine H. Burkman
Egil Tönkvist, Ibsen: A Doll's House, reviewed by John Lingard
Richard Gilman, Chekhov's Plays: An Opening into Eternity, reviewed by Eileen Fischer
Edward Braun, Meyerhold: A Revolution in Theatre, reviewed by Sharon Marie Carnicke
Joel Pfister, Staging Depth: Eugene O'Neill and The Politics of Psychological Discourse, reviewed by Gerald M. Berkowitz
Linda Ben-Zvi, ed., Susan Glaspell: Essays on Her Theater and Fiction, reviewed by Elaine Aston
Rebecca Luttrell Briley, You Can Go Home Again: The Focus on Family in the Works of Horton Foote, reviewed by Charles S. Watson
Neil Carson, Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions, reviewed by Alan Filewood
Anthony Roche, Contemporary Irish Drama: From Beckett to McGuinness, reviewed by Lionel Pilkington
Spencer Golub, The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia, reviewed by Lurana Donnels O'Malley
Robert Lima, Dark Prisms: Occultism in Hispanic Drama, reviewed by Erminio G. Neglia