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This article examines three fairy-tale texts that foreground women’s roles in Australia. We argue that although Kathleen Jennings’s Flyaway (2020) and Danielle Wood’s Mothers Grimm (2014) and her short story “All Kinds of Fur” (2021) are feminist insofar as they center women’s stories, they are limited by the extent to which they depict women working collaboratively. Although the fairy tale has the potential to disrupt patriarchal norms, these narratives offer constrained stories of women’s lives in which collaboration is possible but often fails to live up to its feminist potential to overturn conservative ideologies of femininity and power.