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This paper lays the foundations for an investigation of aesthetics in the light of the theories proposed in the field of Code Biology. Starting from the research objectives that aesthetics has set since its origins, a comparison is made with those aesthetic theories that have been most concerned with the sensory approach to the environment, with the attempt to unite human sciences and the main biological discoveries. Thanks to the scientifically grounded insights offered by Code Biology, we will first outline the field of interest of aesthetics and its foundations, and then delineate certain boundaries – such as those between sensations and perceptions, the aesthetic process and the work of art – that characterise such a field of research. Particular attention will be paid to locating the aesthetic process within the more general cognitive processes, i.e. the three cognitive macrosystems that enable the modelling of the world.