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The (Moving) Pictures Generation: The Cinematic Impulse in Downtown New York Art and Film
Auflage
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Ort / Verlag
New York: Palgrave Macmillan
Erscheinungsjahr
2012
Link zum Volltext
Quelle
Alma/SFX Local Collection
Beschreibungen/Notizen
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Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic. They engaged cinematic movement, time, and the body in their work, and they did so across mediums, utilizing not only film, but sculpture, drawing, photography, and performance. This cinematic impulse was evident in the high art of Jack Goldstein, Robert Longo, and Cindy Sherman, in the film practices of 'No Wave' filmmakers Amos Poe and Vivienne Dick, and in the feature films of Kathryn Bigelow. Vera Dika considers the work within a greater cultural context and probes for a deeper understanding of the practice.
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Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic across mediums. Vera Dika considers their work within a greater cultural context and probes for a deeper understanding of the practice.
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Introduction
PART I: (MOVING) PICTURES
The (Moving) Picture: Joseph Cornell, Edison Company, Andy Warhol, Jack Goldstein
The Female Body and the Frameline: Andy Warhol and Cindy Sherman
Vivienne Dick's Film Portraits
PART II: COMMUNITY
Amos Poe and the New York New Wave
Downtown and Community: Eric Mitchell, James Nares, Nan Goldin
PART III: NARRATIVE EXPECTATIONS
The Art of Transformation: Jack Goldstein, Robert Longo, and Cindy Sherman
Edging toward the Mainstream: Eric Mitchell, Jim Jarmusch, Amos Poe, Kathryn Bigelow
PART IV: THE CINEMATIC BODY
Themes of Aggression: Lizzie Borden, Bette Gordon, Vivienne Dick, Beth and Scott B., James Nares, John Lurie
The Male Body in Cinematic Performance: David Byrne, Spalding Gray, Paul Swan, Eric Bogosian
The Ephemeral Body, the Female Voice: Louise Lawler, Ericka Beckman
PART V: THE MAINSTREAM
Incursions into Popular Culture: Robert Longo, Cindy Sherman, Kathryn Bigelow, Julian Schnabel
Conclusion and Continuation
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Vera Dika considers the work of a number of visual artists in downtown New York City in the late 1970s, and probes for a deeper understanding of the practice
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VERA DIKAAuthor of Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia (2003) and a founding editor of Millennium Film Journal . She is currently Assistant Professor of Film Studies at New Jersey City University, USA.
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ACCESSIBLE: Dika effortlessly blends scholarly analysis and personal recollections and first-hand interviews.
COMPREHENSIVE: Artists covered are admirably diverse, ranging from famous figures like Andy Warhol to less-known practitioners such as Bette Gordon and Vivienne Dick.
TIMELY: The recent Pictures Generation show at the MET has created widespread interest in this movement.
INTERVIEWS: Including Cindy Sherman, Robert Longo, Eric Bogosian, and Punk filmmakers Amos Poe, Eric Mitchell and James Nares.