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This is a study of the poetry of Hardy, Yeats, and Larkin in relation to their shared preoccupation with time, change, and loss − the most ancient and fertile theme in lyric and reflective verse, known to earlier English poets as mutability. Although the importance of the socio-political and ideological context is in every case acknowledged, the literary-historical context is viewed as primary: hence the introductory survey of foundational Renaissance and Romantic poets with whose work Hardy, Yeats, and Larkin were thoroughly familiar. Although a preoccupation with the subject of time and change in the work of these three poets is a critical commonplace, nobody has ever isolated it for special attention or used it to link them either together or with their historical predecessors. This is an entirely new approach to their work. The critical methodology employed is evidential and analytical rather than theoretical, focussed throughout on the meaning and the mood of each poem and the distinctive individuality of each poet.
The author was successively lecturer and professor at the University of Hull from 1961 until 1997. He is primarily a Shakespearean scholar, but his books and articles range widely, from Greek and medieval romance to Renaissance tragedy, the writings of William Morris and W.B. Yeats, and the novels of Joseph Conrad and William Trevor. He is also the author of a historical work, Bloodstains in Ulster, and a family memoir, Two Brothers, Two Wars. From the Western Front to the Burmese Jungle.